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The Last Holiday, by Gil Scott-Heron
Ebook Free The Last Holiday, by Gil Scott-Heron
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Product details
Paperback: 336 pages
Publisher: Grove Press (December 25, 2012)
Language: English
ISBN-10: 0802120571
ISBN-13: 978-0802120571
Product Dimensions:
5.2 x 1 x 8.2 inches
Shipping Weight: 13.6 ounces (View shipping rates and policies)
Average Customer Review:
4.3 out of 5 stars
38 customer reviews
Amazon Best Sellers Rank:
#722,599 in Books (See Top 100 in Books)
I was looking forward to reading this very, very much. I've been a huge Gil Scott-Heron fan for decades, primarily for his amazing music, but I also enjoyed his two novels and some of his poetry. By the time I was 50 pages into this book I was mesmerized, awestruck, totally enraptured by Gil's writing. And then ... things started to unravel. Maybe that's not the right word, but events as described in the book started jumping around and I felt the narrative just wasn't flowing like it had in the early chapters. The murky, middle passages also felt less eloquent and moving, compared to what had first hooked me. I thought that the strongest parts were early in the book, when Gil describes growing up, being raised by his grandmother, working his first jobs, experiences in school, getting to know his mother again. Ironically, we don't get that much insight into the making of his music, and absolutely zero about the problems he later had dealing with drugs. Maybe those details were planned for another memoir. Ostensibly, as the title indicates, this book is mainly about "The Last Holiday," that being the campaign to get Martin Luther King's birthday declared a national holiday in the USA. Gil shines his light on that campaign, particularly the crucial role that Stevie Wonder played in getting this done. But even Stevie's "role" and what he did, other than organizing some concerts and writing a song on "Hotter Than July" about the idea, isn't fully explained or detailed in this book. We aren't told, for example, what exactly was the tipping point that caused the holiday to finally become a reality. Also, there is are too many inconsequential references to the band's road crew on tour, and inane details about sound and lighting problems that really aren't relevant to the rest of the story. So, those are some of the frustrating elements to this book. I realize that compiling and editing an unfinished work by a writer who passed away before everything was completed is a difficult, if not thankless task, but something struck me as missing in this book, something that could have connected the threads of the story more cohesively. All that criticism aside, Gil redeems himself in the final three chapters, when he shifts the focus once again to his family, and the flawed but intense relationships he has had with various people. He admits his imperfections in that profound and articulate way you have come to expect from him. And the last two pages are incredibly moving, forcing my tear ducts to work overtime. A flawed but important book.
I have been a fan of Gil Scott-Heron for all of my adult life. So, just to have these remembrances of Gil is exhilarating. It is not really a memoir, but more of a look at events and times of his early career. The central event of this book is the tour he did with Stevie Wonder. There is discussion of his childhood, teen years, and the beginning of his musical journey. The missing parts are of his later life, it would have been interesting to hear Gil in his humorous poetic language explain his darker days. However, having said that, the poetic interludes and his use of language in this book highlights why he became such a favorite of people who loved messages in their music. I'm sure a biography of Gil is on the way, but I'm not sure it will surpass this collection of thoughts and writing from the man himself. I was listening to "Winter in America" as I was reading this book and that added to the magic that was Gil Scott-Heron. Kudos to the editors for putting this together. Well done! Readers take advantage and enjoy the journey.
Gil Scott-Heron, poet, writer, lyricist, musician, performer, academic, activist and most of all cultural icon. Thanks to his estate, another title can be added, that of memoirist. This is an exceptional work that taps into his early childhood and progresses though to the period where he experienced his greatest commercial acclaim. Since this is a memoir, not an autobiography, the reader must accept the snap shots the author provides. Readers who have more then a passing familiarity with the artist's life and work will find equal significance in what events were omitted as to those milestones that were included. There's no doubt, given his creative stature, that a biography, detailing his entire life and contributions, will be published sometime in the future. Until then, this work will serve to provide a first hand account of GSH's talent, struggles, passion and love.The first half of the book is focused on his family. He paints a marvelous portrait of his immediate relatives and his strong relationship with his mother. He reflects on the cultural influences the various geographic locations as Jackson, Tenn., Chicago and NYC had on his later life and work. He provides vivid detail of his academic life experiences associated with Fieldston Academy and Lincoln University. The challenges faced during this period, helped shape the artist he was to become. Remarkably, during this period he had already published a novel and a collected work of poetry. It's fascinating to learn of his passion for academia, which he admits was equal to his artistic commitment. He completes his graduate work at John Hopkins University and accepts an Associate Professorship position at Washington's Federal City College. This milestone occurring at the same time his music was achieving an expanded commercial appreciation.The second half of the memoir is primarily focused on the growing maturity of his artistic endeavors. His descriptions of meeting and working with the legendary Bob Thiele at Flying Dutchman Records (home to artists as Leon Thomas and Lonnie Liston Smith) and his musical partnership with Brian Jackson proved critical in enabling GSH to elevate his art to the next plateau. Next, he shares his association with Clive Davis and the Midnight band's tenure with Arista records. This period would prove to be the peak of his commercial success.Entwined throughout are brilliant antidotes of fellow artists Gill met along the way including, Bob Marley, Donna Summers, Michael Jackson and countless others. Chapter 31 is particularly illuminating with GSH discussing his meeting with Ossie Davis, Ruby Dee, and the legendary authors John Alfred Williams ( " The Angry Ones " ) and John Oliver Killens ( twice nominated for the Pulitzer Prize ). His observations and insights of Stevie Wonder, the artist / social activist and their 1980/81 tour are particularly insightful.At the conclusion of the memoir the reader feels better for the experience. Your humanity is a little more finely tuned and one is a little more optimistic about the future of the human race. Thanks in large part to the contribution of Gil Scott-Heron. The "Minister of Information" has fulfilled his mission." Each one reach one, each one teach one " GSH
Gil Scott-Heron saved my life in 1977 and I have followed his career since his triumphant appearance on Saturday Night Live. His lyrics and music transcend genres and his appeal is universal. The man just plain produced some marvelous pieces of music. I know that his importance to the rap/hip-hop community is well-documented, and I know that their elegaic quotes are well-founded, but I think it is his ability to spin a tale in song, in poetry, and in prose will ultimately be his legacy. This book is full of warmth and humor, with a self-knowledge of shortcomings that is approached with utter honesty. It is this searing honesty that makes "The Last Holiday" more than just a musical memoir.
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